ALBUM REVIEWS
By: Kevan Breitinger

Future Of Forestry
Twilight
Credential Recordings
Rock
01-23-2007

SCORE
90%
There’s much to like about "Twilight," the debut album from San Diego quartet Future of Forestry. Already a West Coast staple, their inexplicable moniker alone would peak interest among the uninitiated. In the case of “Twilight,” the mystery only opens a door to more wonders. Their unique name is cribbed from a C.S. Lewis poem, originally penned as an environmental warning. Frontman Eric Owyoung references it to address our need for beauty, a commodity lavishly supplied by the deeply ambient and creative songs of “Twilight.”

Owyoung and guitarist Nick Maybury, both formerly of Something Like Silas, started Future of Forestry with bassist Luke Floeter and drummer Spencer Kim in 2005. Together these innovators push the boundaries of comfort and creativity to craft twelve tracks of liberating sonic exploration. The artful opening of “Open Wide” comes across like a jet splitting the skies with waves of sound. The intensely melodic title track has an airy free-floating quality, attained by creative looping and shimmering guitars. Much of the album shares this spacey quality, probably having a lot to do with the unique production. After producer Ken Andrews recorded the basics, Owyoung and company took possession of the tracks for two months, during which time they explored the ambient qualities of washing machines, ironing boards, and pots and pans. “Twilight” is greatly enhanced by these experimental sounds, supported powerfully by Kim’s rock solid drums and Owyoung’s expressive vocals.

Lyrically, the album seems to reveal more as it progresses, adding to the sense of journey. “Sacred Place” is a veritable sonic stew, with its ethereal background vocals and twinkling guitar riffs, and “Sanctitatis” is more of the same. The mix of passionate vocals and the pumping rhythm section on “You and I” brings the band Among Thorns to mind, while the simple acoustic track “If You Find Her” surprises you with its sweet loveliness.

The soundscape turns back to the lush side on “Gazing,” Owyoung’s vocals piercing the lavish instrumentation like a laser with expressions of devotion. “Stay Beside Me” openly declares the glories of Jesus, but it is the hidden bonus track that really rips the lid off of FOF’s worship. Coming in at the ten-and-a-half minute mark, this soaring worship track drips with passion and fervency for God. Future of Forestry shows enormous promise with this engaging debut offering.


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